Editorial Reviews for Nominees
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 Score: 91+/100 (9.1+ out of 10)
"Who Are These Bugs?" is a pivotal musical number in Cate and the Garden Bandits: The Musical, composed by Zachary Simpson and performed by Erin Rementer, both of whom are previous Outstanding Creator Awards winners! This song is a good example of how music can deepen a narrative, develop character arcs, and captivate an audience. With its blend of humor, suspense, and melodic charm, the piece stands out as a transformative moment within the production, serving as both an entertaining and educational tool for its young audience. At its core, "Who Are These Bugs?" marks a turning point in the story. Cate, the protagonist and guardian/caretaker of the magical garden, discovers the identity of the mysterious bumblebee bandits who have been stealing petals. This revelation is not only crucial to advancing the plot but also allows for the exploration of deeper themes such as misunderstanding, community, and courage. The song opens with Cate’s curiosity and frustration, which are reflected in the lyrics: "Who are these bugs? Stealing from us. I don't know what to think of this." The simplicity of these lines makes them accessible to the target audience of children while effectively conveying Cate’s emotional state. The repetitive phrasing and rhythmic cadence of the lyrics ensure memorability, inviting the audience to empathize with Cate’s confusion and determination. It serves as exposition (explaining the situation to the audience) as well as character development (displaying Cate's gung-ho attitude). It also highlights how quick Cate (like many of us are) to jump to conclusions and judge people without knowing the whole story (or even the other person). She immediately labels the bumblebees negatively as “bandit bugs” despite not truly understanding their intentions or knowing them at all. Musically, "Who Are These Bugs?" balances playfulness and suspense, encapsulating the mixed emotions of the moment. The melody actually has an aura of mystery and even darkness surrounding it. The melody evokes images of sneaking and being under disguise like a detective or a spy. It does become more upbeat, light, and whimsical when Cate talks about the “magical garden” which reflects her feelings about the garden juxtaposed to the situation she finds herself (and the garden) in. This tonal choice draws the audience into Cate’s perspective, fostering a sense of intrigue. As the song progresses, the melody shifts to a more suspenseful and resolute mood, reflecting Cate’s growing determination to confront the bees. This dynamic progression mirrors Cate’s internal journey and keeps the audience engaged, ensuring the song’s narrative and emotional arcs resonate. Erin Rementer is an extremely talented singer with a wide and diverse range. It's impressive how she's able to heighten her pitch for these children's songs yet can still erupt like a roaring volcano in her other songs. In this song, she's able to sound apprehensive, fierce, upset, tentative, and even friendly! Rementer’s performance elevates the song, bringing Cate’s emotions to life through nuanced vocal delivery. Her ability to transition from a lighthearted tone to one of determination enhances the song’s impact, ensuring that the audience remains invested in Cate’s journey. Rementer’s voice captures both the whimsy of the magical garden and the gravity of the situation, creating a performance that is both engaging and emotionally resonant. This duality makes "Who Are These Bugs?" not just a narrative device but also an emotional centerpiece of the musical. One of the song’s greatest strengths lies in its ability to develop Cate’s character. Through her solo lines, such as "Petals are gone, this is all wrong. I must be strong to fix it," Cate’s role as a courageous leader and problem-solver is reinforced. These lyrics not only reflect her commitment to protecting the garden but also highlight the values of perseverance and responsibility. Cate’s willingness to take action, despite her initial hesitation, serves as an empowering message for young listeners. This character development is seamlessly integrated into the song, allowing the audience to witness Cate’s growth in real-time. The song also excels in its use of repetition and rhyme, which are hallmarks of effective children’s music. Phrases like "Petals are gone, this is all wrong" (which has a consistent AA/BB beat) and the recurring question "Who are these bugs?" create a rhythmic structure that is easy to follow and remember. This accessibility is crucial for engaging young audiences, who are likely to sing along and internalize the song’s themes. Furthermore, the rhyming patterns add a lyrical charm that enhances the overall musicality of the piece. Zachary Simpson’s expertise in composing for children’s theater is evident in the thoughtful construction of "Who Are These Bugs?" His background in working with Disney and Universal Studios shines through in the song’s ability to entertain while educating. By blending humor (in the absurdity of the situation and Cate's overreaction), suspense, and character development, Simpson creates a piece that is both engaging and meaningful. The song’s balance of accessibility and sophistication ensures that it appeals to children and adults alike, making it a standout moment in the musical. With that said, in terms of being a song in a competition, it is slightly held back by its extremely short length (only about a minute) and how it seems to constrain Rementer from showing off her full potential as a singer. Not every song can be a "Defying Gravity" (from Wicked) or a "Music of the Night" (from The Phantom of the Opera), but that's what we have to compare these musical numbers to on a scale from 0 to 100. However, it is short, sweet, and appropriate for a child actor to remember and perform on stage, which--like the musical as a whole--fulfills the purpose. "Who Are These Bugs?" is a good example of how music can enhance storytelling in children’s theater. Through its engaging melody, humorous lyrics, and emotional depth, the song captures a pivotal moment in Cate and the Garden Bandits: The Musical, making it an unforgettable part of the production. Erin Rementer’s performance, Zachary Simpson’s composition, and the song’s narrative significance combine to create a piece that is both entertaining and educational. By balancing humor, suspense, and character development, "Who Are These Bugs?" not only advances the plot but also reinforces the musical’s central themes, leaving a lasting impression on its audience. You can check it out here!
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 Score: 95/100 (9.5 out of 10)
This delightful children's book captures the joy, nerves, and unexpected fun of trying something new, in this case, a first dance class! It's a vibrant addition to Once Upon a Dance's vast collection of children's books. Stella Maris's illustrations bring every moment to life with charm and whimsy. The animal cast, led by Bella Beak (a chicken) and Quinn Hops (a frog), embodies the universal experiences of beginners—fear of inadequacy, intimidation, and ultimately, the joy of discovery. The color-coded text helps young readers differentiate between the characters, making it both educational and visually engaging. Bella and Quinn’s journey mirrors real-life anxieties: "Am I good enough?" "Will I fit in?" Their eventual realization that everyone starts somewhere, and that mistakes are part of learning, is an encouraging message for children and adults alike. The supporting characters, like Betty the Highland bovine and Kittina the cat (the dance teacher), add layers of humor and relatability. Kittina’s mix of patience, charisma, and mild frustration with the noisy parents makes her a standout character. The inclusion of Mrs. Jitterstein, the friendly spider who helps guide the students, adds another touch of unexpected charm. This book goes beyond storytelling by integrating interactive elements like prompts to answer simple questions (like how old the participants/readers are) or spot dance items in the illustrations. These activities make it engaging for young readers while subtly teaching them about dance concepts like plié and barre. It also familiarizes them with ballet attire and equipment, which can be a helpful educational tool! The narrative’s mix of fun and chaos mirrors the unpredictability of a real dance class. Bella and Quinn’s improvisations and mishaps, like dealing with forgotten uniforms or lacking flexibility, teach readers that adaptability and humor are key in learning new skills. The subtle lesson: dance isn’t just about precision but also about growth, community, and enjoying the process. Stella Maris's artwork is a standout feature, vividly and adorably portraying the characters and the environments/backgrounds. While the lack of Ballerina Konora’s dance panels was noticeable, the book’s dynamic and bright illustrations help to compensate for her absence. The slight choppiness in pacing, with new events on every page, may feel overwhelming initially but reinforces the theme of embracing the unexpected. Ready Set Dance is an exuberant celebration of new beginnings. It captures the spirit of a first dance class with humor, heart, and an understanding of the challenges and triumphs young dancers face. It’s a book that entertains, educates, and inspires, making it a worthy read for any child ready to take their first leap into the world of dance. Check it out on Amazon!  Score: 92+/100 (9.2+ out of 10)
A Crow in the Canyon by Melissa Widmaier is the second installment in the Realm of Light series, following The Wind at Oak Hollow, a previous Outstanding Creator Awards winner! This sequel delves deeper into the Ganwin family’s saga, a blend of high fantasy, emotional drama, and mythological undertones. Spanning over 600 pages (albeit reasonably short ones), the book weaves themes of family, power, sacrifice, and resistance, all against the backdrop of an expansive and politically charged world. The narrative picks up with the Ganwin family reeling from the destruction of their village, Na-ir, and the loss of loved ones. Messa, the family matriarch, leads her sons, Marl and Natsir, on a journey to rescue their patriarch, Nojhi, who is imprisoned in Selcovi by the brutal Captain Tyrc. Along the way, the family confronts personal grief, supernatural prophecies, and the elemental spirits Wind, Water, and Earth, who play an increasingly manipulative role in their destiny. That's right, Wind (one of the more compelling characters in the previous book) isn't alone this time in pulling strings. Marl, as the Wanderer, is the primary target of the spirits. They often exploit his insecurities and sense of duty, pressuring him to embrace his role in the cosmic balance. The spirits dangle visions of impending doom, subtly coercing Marl into aligning with their plans. Their guidance, while sometimes helpful, is often incomplete or cryptic, forcing Marl to make decisions without fully understanding the consequences. For instance, Wind’s possessive behavior exemplifies their control, pushing Marl to wield his elemental powers even at great personal cost. Earth’s influence over Messa is subtler but no less significant. As a priestess and a maternal figure, Messa feels compelled to balance her spiritual duties with protecting her family. The spirit of Earth amplifies this sense of responsibility, tying her actions to the larger survival of the Erutani people. By invoking Messa’s cultural and spiritual obligations, Earth ensures that she remains committed to their cause, even when it conflicts with her personal desires. Water, connected to Natsir, subtly reinforces his role as the stabilizing force within the family. While Natsir’s powers are less overtly manipulated, the spirit’s influence shapes his actions, encouraging him to prioritize harmony and unity. This ensures that Natsir complements Marl’s fiery nature, maintaining balance within the family dynamic. Water’s calm but persistent presence keeps Natsir grounded, yet it also limits his ability to fully explore his own individuality. Collectively, the spirits operate with a larger goal in mind—restoring cosmic balance. So, interestingly, they aren't true villains—at least not purely evil ones. In the previous book, Wind actually came across more like an overbearing stepmother, which is kinda what the spirits are—spiritual, overbearing step-parents. The novel also delves into themes that resonate on personal and political levels. The Ganwins’ loyalty to one another drives the narrative, with Marl, Messa, and Nojhi making significant sacrifices that underscore the strength of familial bonds. Marl’s evolving relationship with his elemental powers highlights the tension between fulfilling destiny and retaining autonomy, while the spirits’ influence raises complex ethical questions about power and responsibility. The rebellion against Selcovi’s regime reflects the challenges of uniting disparate groups for a common cause, particularly through the lens of Thronren’s network of allies. Amid the turmoil, the birth of Messa’s child and the family’s escape from Selcovi symbolize the persistence of hope even in the darkest times. The novel’s strengths lie in its emotional depth, richly textured world-building, and engaging action sequences. The heartfelt interactions between the Ganwin family ground the fantastical elements in relatable human emotion, while Selcovi’s oppressive atmosphere, the Erutani’s cultural heritage, and the spirits’ enigmatic presence create a vivid and immersive setting. High-stakes moments, particularly the rescue mission and escape, are thrilling and well-paced. Additionally, the protagonists, especially Marl and Nojhi, undergo significant growth, making their journeys deeply impactful. So, yes, for better or for worse, this is one of those fantasy books (like Kindred of the Unseen by Micah Beardsley) that puts a heavy emphasis on world-building. As you may have gathered from some of our previous reviews, world-building is a double-edged sword. An adequate amount can make a book's universe immersive. An excessive amount can ruin a book's flow and pacing, becoming more of a distraction than anything. The narrative occasionally struggles under the weight of its ambition. Multiple subplots, such as the rebellion’s internal politics, feel underdeveloped, while secondary characters like Thronren’s allies and Selcovi’s new leaders lack depth, limiting their narrative impact. The late introduction of a new antagonist feels rushed, detracting from the emotional payoff of Tyrc’s fate. Furthermore, while action scenes are dynamic, reflective moments sometimes slow the story’s momentum, creating uneven pacing in parts of the novel. Perhaps the issue with this book that reminded us the most of the previous one is its slice-of-life problem. It often seems as though we're going through different episodes of these fantasy characters just doing fantasy stuff at times. Sometimes, it got stale and stagnant. There were times we just wanted the narrative to move on with the plot. Thankfully, this book had a much clearer plot, goal (for the characters to achieve), and antagonist than the previous one did, which was much appreciated. So, despite some weaknesses, A Crow in the Canyon remains a compelling and richly layered addition to the Realm of Light series. Check it out on Amazon!  Score: 91+/100 (9.1+ out of 10)
Cate and the Garden Bandits: The Musical, written by Zachary Simpson and based on Betsy Coffeen's OCA award-winning children's book, is a vibrant, fun, and engaging theatrical adaptation aimed at young audiences. The central theme revolves around collaboration. Cate, a butterfly, and her insect friends work together to sustain the magical garden, while later including the bees in their ecosystem to show the power of unity. Conflict arises when the bees' actions being misunderstood as theft (by “bandits”). This theme highlights the importance of communication and mutual understanding in resolving conflicts. The narrative educates children about the symbiotic relationships in nature and the importance of every creature in maintaining an ecosystem, even ones that bite, sting, or seem unpleasant. That really spoke to us spider/centipede/wasp/worm-hating people. Cate embodies courage and takes a leadership role in solving the garden's problems, encouraging young audiences to take initiative and face challenges. She's accompanied by her bug friends including Pete (the potato bug), Davey (the dung beetle), and Walter (the earthworm). These characters add depth and humor to the story, showcasing different facets of teamwork and the interconnectedness of living things in a shared environment. They also bring comic relief, particularly through their initial fears and quirky personalities, but they demonstrate courage and loyalty by supporting Cate in her mission. Something that needs to be noted (and admired) is that the cast of this musical is relatively small and the lines are relatively simple and easy to remember. That's great! It's especially good for actors in the target age group (elementary school) who could find more characters and more complicated lines hard to remember and follow. We later get introduced to new characters like the bees (like Buzz & Bob) and their queen, Qira, who seems to have a bigger role in this script than in the book itself. This gives young people more roles to play without being overwhelming. And, thankfully, for the less cooperative, less inclined, or more shy kids in the classroom who need to be included, there's still a “Townspeople” umbrella role. Going along with that, it's also quite short. Yes, there are three acts, but the three acts are quite brief. The story really flies with the zip and zest of a dragonfly, and we wonder if this musical would even reach 30-45 minutes. It's really digestible and manageable for young people. And let's not forget, this isn't just a play, it's a musical! Songs like "The Magical Garden" serve as a vibrant and cheerful introduction, setting the tone for the whimsical world while introducing the main characters and their harmonious community. This number cleverly uses repetition and engaging lyrics, making it easy for young audiences to remember and sing along. Let's take a look at some of the lines in this musical: "The sun is up, the sky is blue. Do, do, do. I wake up with my friends too." These opening lines are simple, cheerful, and highly singable. They set a welcoming tone for the magical world and establish a sense of community right from the start. The repetition of “do, do, do” creates a playful rhythm that makes the song stick in the audience's memory. "Who Are These Bugs?" is another standout, blending mystery with humor. It captures Cate’s curiosity and determination while exposing the bumbling antics of Buzz and Bob. The playful melodies underscore the comedic tension and add a sense of adventure. "Who are these Bugs? Stealing from us. I don't know what to think of this." This introspective line captures Cate's mix of confusion and resolve. The rhyme and rhythm give it a lighthearted touch while advancing the plot. "Petals are gone, this is all wrong. I must be strong to fix it." This line builds Cate's character, showing her determination. The straightforward phrasing ensures the audience, especially children, can follow her thoughts and feelings. In a sense, it serves as both exposition (for what's happening and what Cate wants to do) as well as character development (showing how Cate is assertive and a doer). The reprises, such as the "Magical Garden Reprise" are skillfully woven into the narrative, creating continuity and emphasizing critical moments. These reprises act as thematic anchors, reminding the audience of the garden's values of teamwork, friendship, and problem-solving, while musically linking key scenes together. Repeating the melody from the opening number during pivotal moments ties the story together and reinforces its themes. For example, when Cate resolves to investigate the missing petals, the reprise underscores her dedication to protecting the garden. In "We are The Magical Garden" lines like, "We are all, we are all, we are all The Magical Garden," drive home the unifying message of the story. The simple yet impactful repetition makes it an emotional closing number, leaving the audience with a sense of shared purpose and joy. Cate and the Garden Bandits: The Musical is a charming, educational, and entertaining production suitable for families and schools. Its messages of teamwork, environmental stewardship, and the resolution of misunderstandings are timeless and impactful. Check it out here!  Score: 94+/100 (9.4+ out of 10)
The Power of Respect is an engaging, positive, and uplifting children's book by Ruth Maille! It is colorfully illustrated by Ramesh Ram, a two-time Outstanding Creator Awards overall winner as an illustrator, having previously illustrated Baby Dragon's Big Sneeze by Sheryl Bass & Cora's Christmas Challenge by Sally Kashner! While The Power of Respect is probably the least awe inspiring of the three books that Ram has illustrated, that's almost like saying that one of Tom Brady's six Super Bowls is less impressive than the other five. All three of these books are stellar, leading us to conclude that just about everything Ramesh Ram touches turns to gold. Ram has a distinctly bright, vibrant, and colorful illustration style. The characters pop from the page, almost in a 3-D way. At the same time, it's also more on the cartoonish side. While characters in Cora's Christmas Challenge were more proportional, the characters in this book are a bit more like caricatures. Think the Power Puff Girls: big heads, big eyes, and small bodies. This book had a relatively rough start with Orbit, a personification of the Earth, visiting the home of Amella and Eleanor, based on two actual ten-year-olds who were once the author's preschool students. Early on, we're told that Orbit has two band-aids on his head because of how wounded and hurt he was in 2020, presumably with 2020 and all the socio-political drama/infighting. So, we were already bracing ourselves for a socio-political tirade of sorts, which we would assume would be something about climate change, global warming, and pollution. We've read our share of those. But, boy were we wrong! This book ended up being about a lot more than that. At its core, this is a book about RESPECT. And respect comes in many ways and in many forms. We show it in different ways and in many forms. There are different kinds of respect: general respect for others, respect for parents, respect for friends, respect for brothers & sisters (siblings), respect for your community, respect for your country, respect for the planet, and much more! This book actually does a phenomenal job at displaying and demonstrating this in a way that's simple and digestible for young kids! It teaches kids that they can show respect for their friends, siblings, and loved ones by attending their events, cheering for them, supporting them, and showing interest in the things they are passionate about (like singing). They can show respect for others by respecting their personal space and boundaries. That means that pressing them on issues that trigger them or make them feel uncomfortable. That means being considerate when they need space and want to be left alone. Respect can be shown by listening to others rather than always insisting on being the one talking. Respect can be demonstrated by being considerate and putting yourself in someone else's shoes, even someone who annoys you. For example, a little sister who makes noise and acts goofy might have something in common with you: they may just want to be heard, cared about, and have attention too. They may just want to be included. Don't we all? Respect includes self-respect. A self-respecting person takes care of their body instead of doing things that abuse or neglect it. Self-respect includes getting good exercise, rest/sleep, food, and me-time. Respect includes respecting our community and the world we live in. A person who respects their community and their world doesn't litter or pollute. This book emphasizes kindness, support, and understanding. The story is interactive, offering activities like the "Self-Esteem Freeze Dance" and a creative "Toothpaste squirt" activity, which serve as metaphors to demonstrate the difficulty of taking back disrespectful actions or words. This is such a good book, teaching macro concepts in a way that kids can understand! Check it out on Amazon!  Score: 95/100 (9.5 out of 10)
Tales of Witches and Wyverns by S. Ramsey masterfully delivers a YA fantasy that excels at transporting readers into a rich and vibrant world filled with deep character dynamics and compelling mythology. With enchanting characters, sophisticated world-building, and a plot brimming with magic and adventure, this book has all the hallmarks of an exceptional fantasy novel. The story introduces us to Enid, a teenager grappling with the discovery of her lineage, which ties her to both Arthurian lore and a powerful witch named Lady Sulis. Enid’s connection to Sir Cai (Sir Kay) grounds the narrative in a world familiar to lovers of Arthurian mythology, but it’s the originality in her character development that sets her apart. Enid is not an all-powerful protagonist; rather, her journey toward understanding and harnessing her magic is central to the plot. Her vulnerability, combined with her determination, makes her a relatable and engaging heroine. At the heart of the story is the bond between Enid and her best friend, Dylan, a betrothed prince and water wyvern. The chemistry between these two characters is evident from the start. Their friendship is one of mutual trust and support, a foundation built when Dylan stood up for Enid during a childhood bullying incident. Even though Dylan is absent for much of the novel, the strength of their relationship resonates throughout, providing emotional depth and a sense of camaraderie that enriches the narrative. Rhodri, another major character, brings a dynamic mentor-mentee relationship into the fold. Once cursed to live as a dog, Rhodri is deeply connected to Enid, having shared years with her in his animal form. Now restored to his true self, Rhodri’s arc with his sister, Ceridwin, adds layers of emotional and magical complexity to the story. Their sibling rivalry is charged with moral ambiguity, as Ceridwin’s curse and Rhodri’s response reveal themes of loyalty, sacrifice, and redemption. The novel’s world-building is breathtaking. Ramsey’s creation of an alternate Fae/Arthurian realm is immersive, filled with mythical creatures such as wyverns, kelpies, griffins, and more. The use of Alchemy as a magic system adds a unique flavor to the familiar fantasy elements, setting this book apart from other tales in the genre. One of the most memorable creatures is the Afanc—a fearsome aquatic monster that grants wishes at a terrible price, reminiscent of mythical sirens and mermaids. Enid’s encounter with this creature adds suspense and highlights her quick thinking and cleverness. What truly sets this novel apart is its attention to detail in character relationships and the depth of the antagonists. Malagant, the octopus-like queen of the Unseelie, stands out as a tragic villain. Her immense power comes at a significant cost to herself, creating a complexity that allows readers to empathize with her, despite her terrifying actions. Malagant’s internal struggle makes her a multi-dimensional antagonist, adding depth to the overarching conflict between the forces of light and dark. Enid’s strength as a protagonist lies in her intelligence and cunning rather than raw magical power. Her ability to strategize, observe, and outwit her enemies creates a refreshing dynamic in a genre often dominated by brute force. Her keen awareness of her adversaries’ weaknesses, as demonstrated in her encounters with creatures like the Afanc, allows her to triumph through intellect rather than overwhelming might. This approach gives the novel a layer of sophistication that elevates the storytelling. While Witches and Wyverns echoes certain themes from other works in the genre, such as Kelpie by Ashley Chapman and Magic, Mystery, and the Multiverse by Aurora Winter, it distinguishes itself with its vivid character dynamics and nuanced world-building. The relationships between Enid, Dylan, and Rhodri are genuine and heartfelt, offering readers a story with both emotional resonance and thrilling adventure. The pacing of the novel is largely well-executed, though there are moments where the action slows. These lulls are balanced by rich character development and the intricacies of the magical world, keeping readers invested in the journey. The conclusion, in particular, is action-packed and emotionally satisfying, leaving readers eager for what comes next. This book does feature improvements over the first (2022) edition, key of which is the cover. The original cover was named “Best Cover” in a previous contest. Well, this one is—shockingly—even better! Witches and Wyverns is a brilliant example of YA fantasy done right. S. Ramsey has crafted a world that feels both expansive and intimate, populated by characters whose relationships and personal journeys are as compelling as the magical battles they face. This is a story that will resonate with readers long after they turn the final page. With its blend of magic, mythology, and heart, Witches and Wyverns is a must-read for fans of fantasy looking for something both familiar and refreshingly original. Check it out on Amazon!  Score: 93/100 (9.3 out of 10)
The 91st Tree from Queensbury is a delightful children's Christmas book by Mary Jean DeSantis, illustrated by Anthony Richichi! This heartwarming children's book captures the magic and community pride surrounding the selection of the Rockefeller Center Christmas Tree from Queensbury, New York. Through the eyes of the fictional Miss Romano's classroom and young Delaney, the story educates readers about the journey of a majestic Norway spruce, from its quiet existence in a small town to its transformation into a symbol of holiday joy in New York City. The story blends factual details about the Rockefeller Center Christmas Tree with imaginative, child-friendly storytelling. The dialogue is simple and engaging, designed to spark curiosity and learning in young readers. The pacing balances educational content with the emotional excitement of the tree's journey. The book provides historical context and practical insights about how the Rockefeller tree is chosen and transported, making it informative as well as entertaining. The inclusion of classroom discussions, local reactions, and the child’s perspective keeps the story relatable and engaging for young readers. It concludes with a meaningful message about how small contributions can bring joy to millions and make a lasting impact. The 91st Tree from Queensbury is illustrated by Anthony Richichi, our 2023 Artist of the Year! This book is more or less the standard flair from Richichi. Something rather interesting and unique about this book is how it integrates photographs with the illustrations including photographs taken of the actual tree. Perhaps the most interesting thing about this book is how it follows the process of choosing the storied annual Christmas tree and the process that the tree goes through. Specifically, the book follows Mr. Erik—the “Santa Claus of Christmas Trees!” Mr. Erik is portrayed as a kind of talent scout, but for Christmas trees! How interesting is that? He finds the right tree. He gets the rights to the tree. He makes sure it is fed, watered, and cared for. He makes sure it grows properly, measuring and tracking its dimensions. The children in the classroom, specifically Delaney, become fascinated by the concept and story of this tree! Something that needs to be said is that there's a strange sense of foreboding and even dread that we felt with this book's subject matter, not because it's negative or dark, but because the prospect of this great tree eventually being chopped down and eventually discarded hangs in the air. We kept thinking to ourselves, “Poor tree!” It's kinda like learning about the process of a piglet being raised to win a farm fair only to be slaughtered and eaten. Thankfully, we were pleasantly surprised to learn that everything is done to ensure that nothing is wasted from this tree. The pinecones are handed out as keepsakes to spectators, symbolizing the tree’s connection to the community and its enduring legacy. In fact, Mr. Erik gives Delaney a pinecone from the tree directly. Seed packets are also shared, likely encouraging the planting of new trees and promoting sustainability. That really made us feel better! But what made us feel the most better is when we learned that even the trunk of the tree is recycled for lumber to build houses for those in need! How cool! Check out this children's Christmas book on Amazon!  Score: 95+/100 (9.5+ out of 10)
Bentley Makes a Dump Cake is yet another phenomenal, exceptional, fun-tabulous children's book by Miki Taylor! It is the direct and fitting sequel to Bentley's Fantabulous Idea, which was named our 2023 Children's Book of the Year! Let's put that into perspective: the previous book, Bentley's Fantabulous Idea, broke the biggest glass ceiling in our contest's history, becoming the VERY FIRST children's book to achieve a 9.6/10 score! Like its predecessor, Bentley Makes a Dump Cake is brilliantly and vibrantly illustrated by Eunhye Shin. Boy, oh, boy, does Eunhye Shin put time, energy, and effort into their illustrations! Each character, page, and panel is painstakingly detailed, drawn, and colored BY HAND! You just don't see that much anymore with A.I. and cell-shading techniques being rampant. We greatly appreciate the tremendous effort that Eunhye Shin put into these two books. There are illustrations in here, like on pages 27 & 28, that features DOZENS of characters—all of them in different positions, making different expressions, and doing different things! The attention to detail is unprecedented! For example, on page 27, there's an owl character who doesn't seem as cheerful or amused as the other characters. We can assume he has a lot on his mind and might be experiencing some stress in his life. Or maybe he's just a crabby person. In the extensive, exhaustive character biography section at the end of the book, we learn that this character is named “Oscar Owl” and that he actually is a bit of a downer, telling us that his room is a “disaster” and that he's “messy and lazy.” We could've gathered that just by looking at ONE illustration! Speaking of that character bio section, it actually goes to show how much thought and effort that Miki Taylor put into this book, this series, and its characters as well! Each character is unique in their own special way. Like Oscar, they all have their own special personalities, likes, dislikes, wants, needs, and things that make them tick. These characters even seem to have their own ethnic/national backgrounds like Le'on Lion is from Jamaica. He loves to sing! Helga Hippo is French and a former Parisian who immigrated to the United States. She is fancy and flashy, wanting to become the CEO of a fashion company. Grady Gorilla, despite being big, muscular, and confidently dressed in football pads, is actually very shy and might suffer from social anxiety. He's also emotional, admitting to crying when watching TV sometimes. Coco Centipede achieves the seemingly impossible: being a CUTE CENTIPEDE character! Coco even has shoes for each of their many feet! Kakai Kangaroo is a swimmer who dreams of going to Auburn University and making the Olympics someday! Eloise Elephant, who is in the healthcare field, dives in the same pool that Kakai Kangaroo swims in. It seems as thought Kakai Kangaroo and Eloise Elephant may be romantically interested in each other! Sweet! DeeDee Dolphin is the beauty pageant winner in the group who wants to win the Miss Animal Kingdom pageant! Gosh, we could talk about these characters for hours! They even have their own favorite colors and individual birthdays! This whole Bentley universe just seems so fun, lively, and lived-in! We haven't even really gotten into the plot, and we're already glowing about this book! Well, this book rejoins Bentley (the dog), Betty (his owner/best-friend), and Mr. Bee (their buddy) as they try out a new hobby: BAKING! While the previous book seemed to have a bigger, broader scope, using photography as a way to introduce readers to Bentley's fun, wild community/world, this book has a much more focused and confined scope. In fact, most of the book actually takes place in the kitchen as Bentley, Betty, and Mr. Bee join George Giraffe, the neighborhood baking wiz. George Giraffe is one of the main characters of this particular book since he attempts to guide and encourage Bentley (mainly) on the process of baking a cake. However, like many kids (and first-time bakers), he is impatient and not well-acquainted with actually properly measuring the many different ingredients. He decides to just “DUMP DUMP DUMP” ingredients randomly and in different proportions, sometimes resulting in humorous results like a cake that looks like it has a crater in it. Now, as an aside, this is something we actually experienced baking a cake FOR A WEDDING! So, this is something we could relate with. However, the book (and George Giraffe) goes from pointing out how not measuring ingredients could be misguided to showing us that some randomness and experimentation can actually be fun and result in something special, unique, and even tasty! Just because what you make doesn't look like what's on TV or in magazines doesn't make it automatically bad. In fact, you might just make something exceptional and extraordinary, like this book! This book is actually quite chaotic, messy, and disordered similar to the dump cake that Bentley and friends make. It might be a bit much for some people. There are A LOT of colors and a lot happening on every page. The font is actually on the fancier, fluffier side, which might make it a little challenging to read or keep track of. It's sensory overload! However, that's part of the beauty of it. There's a lot to gain and a lot to find on each and every page! In fact, the author challenges us to find the ingredients hidden on each page. We're also invited to keep track of a special bird, a red cardinal, whom we are told represents a belief in the author's culture that deceased loved ones come to visit us in the form of animals like birds. It's a really sentimental and beautiful way of the author honoring her loved one, “Mammalw,” who she wants to memorialize as part of her author journey. All of this baking leads to the cake's big reveal for a big, huge Friends Day party in which dozens of characters celebrate good food and time together. Check it out on the author's website!  Score: 93+/100 (9.3+ out of 10)
The Invisible Soul: Rise Up by George W. Beasley is an extraordinary and heart-wrenching memoir that takes readers on a raw and emotional journey through trauma, spiritual battles, and ultimate redemption. Beasley’s writing offers in-depth reflections and personal experiences that lay bare the depths of his suffering and the triumph of his faith. A powerful testament to the human spirit, this book provides hope for anyone struggling with emotional or spiritual wounds. In the late 1960s, George Beasley, a young foster child abandoned by his mother, endured unspeakable abuse at the hands of his stepfather, John, and within the flawed foster care system. The daily trauma, torture, and starvation he suffered left him feeling invisible, unwanted, and unloved—an existence he captures vividly in this memoir. Beasley's story is not just one of personal pain but of broader societal issues, as it highlights the failings of the foster care system, much like books such as The Power of Being Seen by Roger Saillant and Fostering by Carmen Maria Navarro. One of the most striking themes in The Invisible Soul is the idea of being “invisible.” This concept resonates throughout the memoir as Beasley reflects on how his trauma left him feeling unseen and unworthy. The invisible soul represents the pain that so often goes unnoticed or unspoken, not just in his own life but in the lives of others who suffer in silence. Beasley also draws parallels to the invisible souls of people he loved, such as his late girlfriend Elaine, who tragically committed suicide after enduring her own unspoken battles. Despite the harrowing nature of his early years, The Invisible Soul is ultimately a positive and uplifting story of hope and redemption. After decades of struggling with his invisible soul, Beasley experiences a profound spiritual awakening. A pivotal moment occurs when he happens upon a Billy Graham sermon on television. Graham’s words, “It’s never too late” and “Jesus can save anyone,” hit Beasley deeply. For the first time, he realizes that he is worthy of salvation, redemption, and love—a revelation that shifts the course of his life. Beasley’s narrative is as conversational as it is deeply personal. He often engages the reader directly, asking poignant questions like, “Do you know someone like me?” This approach makes the memoir feel not only like a recounting of his life but also an invitation for readers to reflect on their own invisible souls. His conversational style creates an intimate connection, making the memoir feel more like a dialogue than a monologue, which only enhances the book’s impact. One of the book’s defining features is its emphasis on spiritual healing. Beasley’s journey toward healing is not portrayed as easy or instantaneous. Instead, he describes the hard-fought battles with his inner demons—his anger, despair, and self-doubt—that nearly destroyed him. He explains how mastering his emotions and surrendering to God’s grace allowed him to unlock the invisible soul that had been holding him captive. The book contains several powerful passages where Beasley reflects on this spiritual battle, such as: “At each victory there was a great defeat, through each defeat there was a great victory. God was conquering my greatest fears and allowing me to see myself every day in the mirror of reality.” Beasley’s writing is vivid and poetic, filled with moments of intense emotional reflection. His descriptions of his traumatic childhood, in particular, are haunting and memorable. Some of the standout passages include: “I was the one with a face, but no expression, the one with fingers, but no fingerprints and the one with a name but no identity, an address, but no home.” “I could no longer hear the screams but knew they were still there. I could no longer feel the pain of the beatings, but my memories held them close to my eyes.” These passages beautifully convey the depth of Beasley’s pain while simultaneously underscoring the isolation and invisibility he felt for much of his life. Yet, amid the darkness, there is always a glimmer of hope, a belief that healing is possible through God’s love. The second edition also includes additional stories and memories that offer readers a more comprehensive look at Beasley’s journey. His exploration of different religious institutions, including Catholicism and Mormonism, and his passion for water skiing—both as a distraction and an evangelistic tool—add depth to his story. But it is his encounter with Billy Graham and his realization that Jesus offers salvation to all that becomes the most transformative part of his narrative. While the book has some formatting issues—lacking indentations between paragraphs—the writing itself is beautiful and exceptional. Beasley’s ability to describe both the pain of his past and the joy of his spiritual rebirth is compelling and uplifting. The Invisible Soul is not just a memoir, it is a guide for those struggling with their own invisible souls. It is a book that seeks to enlighten, encourage, and uplift readers, particularly those who may be battling similar traumas. Beasley’s story serves as a powerful reminder that no matter how deep the wounds or how invisible one feels, healing is possible through faith, perseverance, and love. Check it out on Amazon!  Score: 89/100 (8.9 out of 10)
Unheard is a spirited poetry collection by Bhavini Bhargava! The collection of poems forms a heartfelt tapestry of introspection, societal critique, and the human experience. Each piece carries a unique emotional weight, tackling themes such as loss, regret, societal expectations, identity, and resilience. The poem "Alive" opens with an uplifting reminder of self-worth and renewal, its brevity emphasizing its message of hope. The use of alliteration, as in “start a new chapter,” enhances the motivational tone. In contrast, "Was it all worth it?" delves into themes of regret and grief, employing rhyme (“dreams/redeem,” “business/witness”) to add rhythmic poignancy to its narrative of a life cut short. The rhetorical questioning throughout, such as “Is this a good deed, or just a task full of greed?” engages the reader emotionally while reflecting on unfulfilled dreams and the impact of loss. The poetic devices across the collection, such as alliteration in "Isn't life sometimes really unbearable" (from Drowning), assonance in "Scars" (“Can’t I just spend my whole life staring at the stars?”), and personification in "Society’s Reality,” elevate the emotional depth of the pieces. For instance, "Hospitals have heard more genuine prayers than temples ever would" captures societal disillusionment through vivid imagery and juxtaposition. Similarly, "Stigma" critiques gender roles with a searing honesty, blending vivid imagery (“cars belong to boys and dolls to girls”) with metaphors (“their lives are in auctions with people placing bids”) to highlight the struggles of women. In "A Dream or a Sign?" the speaker confronts their younger self, creating a reflective dialogue that combines sagacity with regret. The interplay of time and identity is central here, as the poem masterfully juxtaposes past innocence with present discontent. The theme of inner conflict is also palpable in "Static Soul", where the speaker wrestles with existential doubts and the search for purpose. The rhyme in lines like "Am I going in the right direction, or is everything just an illusion?" mirrors the cyclical nature of these uncertainties, while the rhetorical question amplifies the speaker’s inner turmoil. Several poems embrace vulnerability as a strength. In "Steps", the poet reflects on connections and sacrifices, using metaphors like “holding people’s hands when they slip off like sand” to express fragility in relationships. "This Year" chronicles personal transformation through pain, determination, and growth, with the repetition of "This year" serving as a powerful refrain that reinforces the impact of pivotal moments. Similarly, "Reminder" employs imagery of shifting seasons and slipping sand (“Sand slipping from my hands”) to depict fleeting time and unfulfilled dreams, creating a sense of urgency. The final poem, "Final Judgment" acts as a climactic reflection on mortality, fear, and courage. The imagery of a trembling earth and fiery skies paints an apocalyptic backdrop for self-realization. Lines like "Sound of the blaring thunder blasting my ears, looking at the misty sky, I can see all my fears" create a powerful auditory and visual experience. The tone shifts from trepidation to triumph as the speaker embraces life’s challenges with newfound clarity, echoing themes of redemption and resilience. "Today, I Shall Live" celebrates the urgency of living in the present, with anaphora emphasizing the fleeting nature of time. "Crystals" transforms rain into a metaphor for emotional cleansing, its vivid imagery capturing a soothing renewal. "Last Days" portrays the narrator’s acceptance of mortality, using contrast and symbolism to highlight the evolution from despair to peace. The wistful "Maybe Next Time" delves into missed opportunities and unspoken love, with delicate imagery of falling petals signifying the transience of meaningful moments. The collection also explores the dynamics of relationships, from the unraveling of affection in "You and I" to the suffocating toxicity of "Us." The latter uses metaphors (“ropes tightened around me”) and alliteration (“half-dead to survive”) to depict the struggles of breaking free, juxtaposing despair with liberation. In contrast, "Beside You" offers a tender portrayal of intimacy and shared joy, while "Your Moonlit Beauty" elevates admiration to a celestial level, its metaphors (“radiance piercing your hair like sunlight”) and hyperbolic expressions (“all can die for that smile”) painting an ethereal picture. The newly added poems amplify these themes, addressing broader societal and existential concerns. "Alive" serves as a powerful opener, reminding readers of the daily opportunity to start anew. "Was it all worth it?" questions the impact of unfulfilled dreams, employing a tight rhyme scheme and rhetorical questions to deepen its contemplative tone. "Static Soul" and "A Dream or a Sign?" wrestle with purpose and identity, their conversational rhythms capturing the universal quest for meaning. Meanwhile, "Society’s Reality" offers a striking critique of societal norms, juxtaposing sacred spaces like hospitals and temples to evoke a sense of disillusionment. Poems like "Stigma" address societal issues head-on, highlighting gender roles and discrimination through vivid imagery and biting commentary. In "Journey" and "Steps," the poet reflects on personal growth and resilience, blending relatable doubts with uplifting resolutions. "This Year" chronicles transformation through pain and perseverance, its repetition of "This year" reinforcing the impact of pivotal moments. Finally, "Final Judgment" ends the collection with an apocalyptic yet triumphant tone, where fears dissolve into self-realization. Across the collection, the poet’s mastery of meter varies to suit the themes—short, punchy lines convey urgency, while longer, flowing verses allow for contemplative depth. The interplay of rhyme and free verse ensures a dynamic reading experience. Themes of regret, societal expectations, and personal growth remain prevalent, connecting the poems into a cohesive narrative of human resilience. By intertwining personal reflections with broader societal critiques, the poet creates a collection that feels both intimate and universal. The biggest weakness of this book is that it lacks variety in terms of rhyme-scheme and stanza structure. Practically every poem in this collection employs a basic AA/BB/CC/DD, etc. rhyme scheme. Nearly every poem in this collection is written in couplets. There never seems to be a respite from this formula, and it becomes jading and tiresome after a while. The biggest and only major counterexample of this is the poem “I will make that decision today” which is written in one-line stanzas. “I will make that decision today” is also unique in that—instead of utilizing the aforementioned rhyme scheme—focuses on the assonance in the “I” sound with words like life, prime, thrive, and knife, which was nice and refreshing. One more weakness of this entry is the file itself. Instead of being printed, searchable text, it is seemingly scanned from a hard-copy of the book, sometimes in lower-quality than we'd prefer. The worst example of this is actually the back-cover, which is blurry and pixelated. Each page is essentially an image. This made it harder to search for individual passages using the CTRL+F feature. So, we had to try to remember where certain passages were, which wasn't convenient in the slightest. However, at least the text in the poems themselves is legible. In sum, this collection is a masterful blend of poetic techniques and emotional depth. Whether exploring the joys of love, the sting of regret, or the resilience required to navigate life’s challenges, the poet crafts a work that resonates on multiple levels. Each poem invites readers to reflect, connect, and find solace in shared humanity, making this collection a timeless and impactful read. Check it out on Amazon! |
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